Formed in New York in the mid-2000s, Anamanaguchi made their name with emotionally-charged turbo-electric experiments in chiptune. Known for programming their early music on Nintendo cartridges you can actually play, their accomplishments include scoring Scott Pilgrim vs. the World: The Game and launching one of music’s most successful crowdfunded projects to this day with their Kickstarter for their debut album Endless Fantasy. The band’s reputation for innovation grew worldwide, leading them to develop and release their own experimental video game (Capsule Silence XXIV), as well as to officially collaborate and perform with the virtual pop star Hatsune Miku on her hologram tour (their collaborative hit “Miku” is not just her biggest English language song to date, it’s also recently a prominent music fixture of Epic Games’ global smash hit Fortnite). They even launched a pizza into space.
[USA], Anamanaguchi’s critically-acclaimed second album and debut for Polyvinyl, anticipated a crucial cultural shift in moving from escapist, nostalgic fantasy to a more introspective exploration of digital identity. Described by Pitchfork as the band’s “most emotionally grounded record,” [USA] laid the foundation for the openness and honesty that defines their latest album Anyway. Where [USA] made sense of life online, their third album Anyway ventures into the world outside the front door.
